作业帮英文影评200各单词的黑天鹅
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英文影评200各单词的黑天鹅
英文影评200各单词的黑天鹅
英文影评200各单词的黑天鹅
Seen as a companion piece to director Darren Aronofsky's critical hit The Wrestler, Black Swan is his love-letter to the operatic world of ballet. Similar to The Wrestler, this is a psychological study of a loyal servant to a chosen profession, who are pushed to the limits both physically and psychologically by the pressures of being good and relevant to their craft.
The performances are excellent, namely Portman. She is in practically every scene and is every bit as good as you've most likely heard. Her transformation from the sweet, dedicated Nina of the first half to the desperate, troubled one of the second is wholly convincing, and that is down to Portman's acting ability. The scene in the cubicle when she calls her mother to tell her she got the part perfectly captures Nina's joy mixed with utter disbelief and confusion. She's always been a very good actress, but apart from 2004's Closer, she's never really been given a role she can really chew on. Here she chews with aplomb. Like I stated in a previous post, I would not begrudge her the Oscar if she beats my hopeful Jennifer Lawrence for Winter's Bone.
Black Swan is a very well-made film with amazing scenes of ballet, powerful acting and loose, confrontational camera-work, similar to that of The Wrestler. I just wish Aronofsky had been a bit more original with the horror scenes and offered something genuinely tormenting, similar to what he did with Requiem For A Dream. Probably not for ballet-buffs either, unless you also enjoy scenes of fingernail removal and masturbation.