英语翻译一些句子：Overlap the sheets by about 1/4'',and when all are laid down and placed correctly,"softly swirl the brush around and rub off the excess leafing",Push the leafing through the holes in the shade,and gently rub all leafing off

英语翻译一些句子：Overlap the sheets by about 1/4'',and when all are laid down and placed correctly,"softly swirl the brush around and rub off the excess leafing",Push the leafing through the holes in the shade,and gently rub all leafing off
英语翻译
一些句子：
Overlap the sheets by about 1/4'',and when all are laid down and placed correctly,"softly swirl the brush around and rub off the excess leafing",Push the leafing through the holes in the shade,and gently rub all leafing off areas without adhesive and where the sheets overlap----wherever there is no adhesive,the leafing should rub off with gentle brushing.Use the scraps that come off to touch up spots that need it.
Brown says "Because gold leafing is so thin,you need to do this step inside,away from any breeze or fans.The 'pros' use a large,very soft brush with static built up on the bristles to pick up each sheet of leafing.I haven't been able to master this technique,and the brush is costly.'' When it is completely set,she also brushes a coat of dark walnut stain over the gold leafing to give it an antiqued look,enhanced even more if there are small gaps in the leafing,reveaing the red undercoat.Allow the stain to dry overnight if used.
Seal the shade and the trunk with polyurethane.Apply two or three coats to the shade,letting each dry to the touch before sanding lightly with #000 steel wool and wiping with the tack cloth."Don't rush this step",Brown advises."You don't want to create a great lamp,only to not have the finish right.Be sure to check for runs in the finish".Don't bother trying to sand the trunk,given the texture.Allow both the trunk and the shade to dry completely.

英语翻译一些句子：Overlap the sheets by about 1/4'',and when all are laid down and placed correctly,"softly swirl the brush around and rub off the excess leafing",Push the leafing through the holes in the shade,and gently rub all leafing off
将那些纸片（暂时这样翻译）1/4的部分重叠,当所有的都放平了也放到正确的位置上了,轻柔地旋转着刷子,刷掉多余的生叶.将生叶从阴影部分的孔推进去,轻轻地将无胶水和纸片重叠的部分上的生叶刷去.只要是没有胶水的地方,就应该拿刷子轻轻地刷掉生叶.如果需要的地方的话,就用废金属润色.
布朗说：“因为金色生叶非常的薄,你需要在封闭的空间里执行这一步,没有任何风的地方.那些牛人们用又大又软的刷子,每根刷毛上都有静电,这样就可以吸起每一片叶子.我现在还不能完全掌握这项技能,那种刷子又很贵.” 当这些都弄好了时,她还在金叶上刷了一层深棕色油漆使它看起来饱经风霜,如果叶子上有小洞的话效果会更好,这样就能看出红色的底层.最好晾晒一夜.
用聚氨酯将阴影部分和躯干封好.在阴影部分放上两到三层保护膜,在用钢丝绒轻轻磨光和用砂布擦之前,让每一个都干到透.“这一步不要慌.”布朗建议道,“你肯定不想在最后一步的时候毁掉你的作品.一定要在这一步谨慎小心.“ 不要想着试一下打磨躯干,让躯干变得光滑.让躯干和阴影部分都干彻底.
望采纳.