核舟记 翻译

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核舟记 翻译
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核舟记 翻译
核舟记 翻译

核舟记 翻译
古文翻译
明朝有个手艺奇妙精巧的人叫王叔远,(他)能够在直径一寸的木头上,雕刻出宫殿、器具、人物,以至飞鸟、走兽、树木、石头,没有一件不是依据木头原来的样子模拟那东西的形状的,各有各的神情姿态.(他)曾经送给我一个美桃核雕成的小船,(刻的)是苏轼游赤壁.船从头到尾长大约八分多一点,约有两个黄米粒那么高.中间高起而开敞的部分是船舱,(刻着)用箬竹叶做成的船篷覆盖着它.(船舱)旁边有小窗,左右各四扇,一共八扇.推开窗户来看,雕刻着花纹的栏杆左右相对.关上它,就见右边刻着“山高月小,水落石出”的句子,左边刻着“清风徐来,水波不兴”,用石青涂在刻字的凹处.
船头坐着三个人:中间(戴着)高高的帽子、(长着)浓密胡子的人是苏东坡,佛印坐在右边,鲁直坐在左边.苏东坡、黄鲁直共同看着一轴字画手卷.东坡的右手拿着手卷的右端,左手抚摸着鲁直的背脊.鲁直左手拿着手卷的左端,右手指着手卷,好像在说些什么.东坡露出右脚,鲁直露出左脚,各自略微侧着身子,他们紧靠着的两膝,都隐蔽在手卷下边的衣褶里.佛印极像弥勒菩萨,敞胸露怀,抬头仰望,神情跟苏、黄不类似.(他)平放着右膝,弯着右臂支撑在船上,而竖起他的左膝,左臂挂着(一串)念珠挨着左膝——念珠可以清清楚楚地数出来.
船尾横摆着一个船桨.船桨的左右两旁各有一个撑船的人.在右边的人梳着椎形发髻,仰着脸,左手倚靠着一根横木,右手扳着右脚趾,好像在大声喊叫的样子.在左边的人右手拿着蒲葵扇,左手抚摸着炉子,炉上有个壶,那个人的眼睛正视着茶壶,神色平静,好像在听茶水的声音似的.
船的底部稍微平坦,就在上面刻作者的名字,写的是“天启壬戌秋日,虞山王毅叔远甫刻”,(字迹)像蚊子的脚一样细小,笔画清清楚楚,它的颜色是黑的.又刻了一个篆字的图章,写的是“初平山人”,它的颜色是红的.
总计(在)一条船(上),刻了五个人,八扇窗;刻了竹篷、船桨、炉子、茶壶、手卷、念珠各一件;对联、题名和篆文,刻的字共三十四个.可是计算它的长度还不满一寸.应该是挑选长而窄的桃核刻成的.哎,技艺也真是灵巧奇妙呀!

核舟记
明朝有(一个手艺)奇妙精巧的人,名叫王叔远,(他)能用直径一寸的木头,雕刻出宫殿、房屋、器具、人物,甚至于鸟兽、树木山石,全都是按照(材料)原来的形状刻成(各种事物的)形象,每样人物都有每样物的情状。(他)曾经赠送给我一只用桃核雕成的小船,(刻的)应当是苏轼游赤壁(的情景)。
从头到尾八分多一点,大约有两个黄米粒那么高。中间高起而宽敞的部分是船舱,上面盖着箬蓬。旁边开着小窗...

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核舟记
明朝有(一个手艺)奇妙精巧的人,名叫王叔远,(他)能用直径一寸的木头,雕刻出宫殿、房屋、器具、人物,甚至于鸟兽、树木山石,全都是按照(材料)原来的形状刻成(各种事物的)形象,每样人物都有每样物的情状。(他)曾经赠送给我一只用桃核雕成的小船,(刻的)应当是苏轼游赤壁(的情景)。
从头到尾八分多一点,大约有两个黄米粒那么高。中间高起而宽敞的部分是船舱,上面盖着箬蓬。旁边开着小窗,左右各四扇,一共有八扇。打开窗来看,雕刻着花纹的栏杆左右相对。关上窗户,就(可以看见)右边刻着“山高月小,水落石出”,左边刻着“清风徐来,水波不兴”(的对联),用石青涂在刻着字的凹处。
船头坐着三个人,中间戴着高帽,长满络腮胡子的是苏东坡,佛印在右边,黄庭坚在左边。苏、黄两人共看一卷着横幅的书画。东坡右手拿着画幅的右端,左手轻抚着鲁直的后背。鲁直左手拿着画幅的左端,右手指着画卷,好像谈论什么似的。东坡露出了右脚,鲁直露出了左脚,两人都略微侧转(身子),他们紧靠着的两膝,各自隐藏在手卷下边的衣服褶中。佛印(模样)像弥勒佛,敞开胸襟露出乳头,抬头仰望,(那)神态跟苏黄(两人)不相类似。(他)卧倒右膝,弯曲右臂支撑在船上,而他的左膝竖起,左臂挂着一串念珠靠在左膝上——念珠(简直)可以(一粒一粒)清清楚楚数出来。
船的后部,横放着一支船桨。桨的两旁各有一个船夫。靠右边的那个(梳着)椎形发髻,仰着脸,左手靠着一根横木,右手扳着右脚趾,好像在呼啸的样子。靠左边的那个,右手拿着(一把)蒲葵扇,左手抚着茶炉,炉子上面放着(一把)水壶,那人眼睛注视着茶炉,神色平静,好像在听茶壶中的水开了没有的样子。
船的顶部较平,就在上面题名,刻的文字“天启壬戌秋日,虞山王毅叔远甫刻”,(字迹)细得像蚊子脚,一勾一划清楚明白,颜色是黑的。又用一个篆刻图章,刻的是“初平山人”,颜色是红的。
总计这只核舟上,雕刻有五个人;八扇窗;雕刻竹篷、船桨、火炉、水壶、画卷、念珠各一件;对联、题名和篆文图章,一共有三十四个字。然而计算它的长度竟然不满一寸。这是挑选桃核中长而窄的刻造的。啊!这种技艺真是太神奇了!

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明朝有个手艺奇妙精巧的人叫王叔远,(他)能够在直径一寸的木头上,雕刻出宫殿、器具、人物,以至飞鸟、走兽、树木、石头,没有一件不是依据木头原来的样子模拟那东西的形状的,各有各的神情姿态。(他)曾经送给我一个美桃核雕成的小船,(刻的)是苏轼游赤壁。 船从头到尾长大约八分多一点,约有两个黄米粒那么高。中间高起而开敞的部分是船舱,(刻着)用箬竹叶做成的船篷覆盖着它。(船舱)旁边有小窗,左右各四扇,一共...

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明朝有个手艺奇妙精巧的人叫王叔远,(他)能够在直径一寸的木头上,雕刻出宫殿、器具、人物,以至飞鸟、走兽、树木、石头,没有一件不是依据木头原来的样子模拟那东西的形状的,各有各的神情姿态。(他)曾经送给我一个美桃核雕成的小船,(刻的)是苏轼游赤壁。 船从头到尾长大约八分多一点,约有两个黄米粒那么高。中间高起而开敞的部分是船舱,(刻着)用箬竹叶做成的船篷覆盖着它。(船舱)旁边有小窗,左右各四扇,一共八扇。推开窗户来看,雕刻着花纹的栏杆左右相对。关上它,就见右边刻着“山高月小,水落石出”的句子,左边刻着“清风徐来,水波不兴”,用石青涂在刻字的凹处。 船头坐着三个人:中间(戴着)高高的帽子、(长着)浓密胡子的人是苏东坡,佛印坐在右边,鲁直坐在左边。苏东坡、黄鲁直共同看着一轴字画手卷。东坡的右手拿着手卷的右端,左手抚摸着鲁直的背脊。鲁直左手拿着手卷的左端,右手指着手卷,好像在说些什么。东坡露出右脚,鲁直露出左脚,各自略微侧着身子,他们紧靠着的两膝,都隐蔽在手卷下边的衣褶里。佛印极像弥勒菩萨,敞胸露怀,抬头仰望,神情跟苏、黄不类似。(他)平放着右膝,弯着右臂支撑在船上,而竖起他的左膝,左臂挂着(一串)念珠挨着左膝——念珠可以清清楚楚地数出来。 船尾横摆着一个船桨。船桨的左右两旁各有一个撑船的人。在右边的人梳着椎形发髻,仰着脸,左手倚靠着一根横木,右手扳着右脚趾,好像在大声喊叫的样子。在左边的人右手拿着蒲葵扇,左手抚摸着炉子,炉上有个壶,那个人的眼睛正视着茶壶,神色平静,好像在听茶水的声音似的。 船的底部稍微平坦,就在上面刻作者的名字,写的是“天启壬戌秋日,虞山王毅叔远甫刻”,(字迹)像蚊子的脚一样细小,笔画清清楚楚,它的颜色是黑的。又刻了一个篆字的图章,写的是“初平山人”,它的颜色是红的。 总计(在)一条船(上),刻了五个人,八扇窗;刻了竹篷、船桨、炉子、茶壶、手卷、念珠各一件;对联、题名和篆文,刻的字共三十四个。可是计算它的长度还不满一寸。应该是挑选长而窄的桃核刻成的。哎,技艺也真是灵巧奇妙呀!

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Ming has a special handy man named Wang Shu, to an inch in diameter wood, carved housing, equipment, people, and the birds, trees, stones, not wood, just the way you do not follow the simulation that ...

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Ming has a special handy man named Wang Shu, to an inch in diameter wood, carved housing, equipment, people, and the birds, trees, stones, not wood, just the way you do not follow the simulation that the shape of things, each have their own modality. Wang Shu was presented to me a boat carved with peach kernels, the original is carved boat trip on the Red Cliff Su.
Long boat from start to finish about eight more, so high about two millet. And the open since the middle of the high part of the cabin, with 篛 Chuanpeng made of bamboo covered with it. Open small window next to the right and left have four, a total of eight. Open the window view, carved and railing about the relative. Closed the window to see the right inscribed "high mountain on the small, get to the bottom", the left inscribed "gentle breeze, not stirred", with painted inscriptions Shiqing recesses.
Three of the bow sat in the middle wearing a tall hat and beard a lot of people are Su, Foyin in his right hand, Lu Chih in his left. Su, Lu Chih Huang watching a painting banners. Su right hand and the right end of banner painting, Lu touch with his left hand straight back. Lu banner of the end of the straight left hand, right hand pointing to painting banners, as if to say it. Su exposed right foot, left exposed Lu Chih Huang, each slightly sideways, and their two knees close to each other, each hidden in the folds of painting inside the banner below. For Yin Bodhisattva Maitreya is very much like, open-minded exposed breasts, looked up, an air of expression and Su, Huang Lu does not directly associated. For Yin Ping stood right knee, bending his right arm supported on the board and put up his left knee, left arm hanging beads relying on left knee, the number of beads can come out clearly.
A paddle lying across the stern. Left and right paddles on each side of a boatman. Giving her the right person in the vertebral-shaped bun, Yang Zhelian, left relying on a rung, right-hand sit there straight leg toe, as loud calls look. Boatman left Livistona fan right hand, left hand touched the stove, the stove on top of the pot, that person's eyes looking at stove, looks calm, as if listening to boil the tea did not look.
The boat back a little flat, in the name engraved on top of it, the text is the "compound Saigon autumn, Yushan Wang Yishu far just carved" (handwriting) small like mosquito legs, a hook for a clear picture Chu clear, its color is black. Also a carved seal Zhuanwen, text is: "Chu-ping Hermit", its color is red.
Total boat carved five; engraved with eight windows; engraved Chuanpeng do Leaves, engraved with the paddles, carved with a stove; engraved teapot engraved with calligraphy and painting banners, each one engraved with the beads; couplets, title and Zhuanwen, engraved with the words a total of thirty-four. But the calculation of its length, actually turned out to be less an inch long, narrow selection of peach kernels carved. Hey, art is also really smart wonderful ah.

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